Thursday, December 28, 2006

THE METROPOLITAN LONDON

When the Metropolitan Hotel first opened in 1997, it saw the traditional neighbourhood of Mayfair rock with a new kind of visitor - fast, fashionable aficionados of modern design. Now, eight years down the line, the 150-room contemporary showpiece created by United Designers, is looking as hot as ever, having just undergone a complete refurbishment, introducing Wifi throughout as well as a new look Met Bar. This is among the city's most popular members' clubs, open to hotel residents, where martinis are sipped to cool tunes spun by top-of-the-game DJs. There is also a COMO Shambhala Urban Escape offering a gym, steam room, reflexology, aromatherapy, shiatsu massage and jet-lag therapies. Yoga mats are supplied in room, and teachers available on request. For a Michelin-starred culinary experience, Nobu, the hotel restaurant co-owned by Nobu Matsuhisa and Robert de Niro, offers innovative Japanese cuisine with an upbeat New York-style atmosphere. There are five event spaces accommodating groups from 10 to 80. Service, for which this hotel is known, includes a concierge who knows exactly what's going on in town as well as room butlers.

Nobu @ The Metropolitan

LUNDUM’s – the only Danish restaurant in London

ART > In the darkest hour there may be light


In the darkest hour there may be light
Works from Damien Hirst’s murderme collection

25 November 2006 – 28 January 200710am - 6pm daily. Admission free
In association with Hiscox plc

Supported by Outset Contemporary Art Fund

Damien Hirst’s groundbreaking and controversial work has made him one of the world’s best-known living artists. From the start of his career, Hirst has adopted the role of curator, organising a series of exhibitions with a group of young British artists who would come to define cutting-edge art in the 1990s. It began with the now legendary Freeze exhibition of 1988, when he was still a student at Goldsmiths College, University of London, and was followed by Modern Medicine and Gambler, both co-organised with Carl Freedman and Billee Sellman in 1990. In 1994, he curated the highly acclaimed Some Went Mad, Some Ran Away… at the Serpentine Gallery.

As well as being a producer and a curator, Hirst is also a passionate and obsessive collector of art. Like many artists he began collecting by exchanging works with his friends – artists such as Tracey Emin, Angus Fairhurst and Sarah Lucas. His sensibility developed in concert with his wide-ranging artistic interests, however, Hirst emphasises that this collection has evolved without a master plan and is simply a consequence of the basic desire to amass objects. Now known as the ‘murderme collection’, this significant accumulation of works spans several generations of international artists, from well-known figures such as Francis Bacon, Jeff Koons, Richard Prince and Andy Warhol, to artists in earlier stages of their careers like Rachel Howard, Nicholas Lumb and Tom Ormond.

In the darkest hour there may be light is the first public exhibition of the murderme collection and Hirst has worked closely with the Serpentine on the selection and presentation of the sculptures, paintings, photography and installations in and around the Gallery. It offers a fascinating insight into Hirst’s collecting acumen and personal interests, as he says “I always think collections are like a map of a man’s life”.
The exhibition features over 60 works by 24 artists, representing a cross-section of the most interesting contemporary art today. The artists included are Francis Bacon, Banksy, Don Brown, Angela Bulloch, John Currin, Tracey Emin, Angus Fairhurst, Steven Gregory, Marcus Harvey, Rachel Howard, John Isaacs, Michael Joo, Jeff Koons, Jim Lambie, Sean Landers, Tim Lewis, Sarah Lucas, Nicholas Lumb, Tom Ormond, Laurence Owen, Richard Prince, Haim Steinbach, Gavin Turk, Andy Warhol.

Limited Edition Print Portfolio

Wednesday, December 27, 2006

ART > A journey into the art of noise


24 November 2006 - 28 January 2007

Admission free

The V&A and PlayStation present Volume
Created by United Visual Artists and one point six

A luminous interactive installation has transformed the V&A's John Madejski Garden this winter. Volume is a sculpture of light and sound - an array of light columns positioned dramatically in the centre of the garden.

Volume responds spectacularly to human movement, creating a series of audio-visual experiences. Step inside and see your actions at play with the energy fields throughout the space, triggering a brilliant display of light and sound.

The piece is a collaboration between design collective United Visual Artists (UVA) and Robert Del Naja (aka 3D) of Massive Attack and his long-term co-writer Neil Davidge (as part of their music production company, one point six).

To celebrate the launch of Volume, PlayStation are offering you the chance to win a ceramic white PlayStation Portable®. Visit the competition page to enter.

Wheelchair Access - Please seek staff assistance.

Volume is part of The PlayStation Season.

Read article in The Times here
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